

Trumpets were slower to adopt the new valve technology, so for the next 100 years or more, composers often wrote separate parts for trumpet and cornet. The valves allowed for melodic playing throughout the register of the cornet. The cornet was invented by adding valves to the post horn in 1814. The general taste for more aggressive sounding instruments is largely to blame here. Players like Louis Armstrong started of on the cornet, but later switched to trumpet. In the Bigband you will not find it anymore, mainly because of the limited volume of the cornet when compared to the trumpet. But since the 50's it has almost completely been replaced by the trumpet and the stretched cornet. Jazz band In old style jazz the cornet was preferred to the trumpet. That role is performed by the Eâ clarinet. Wind band (Harmonieorkest in NL and B) The role of the Cornet is the same as in the Fanfare orkest, but the Eâ soprano cornet is not used. In the last decades the cornet has been largely replaced by the trumpet. The leading melodic instrument are the Flugelhorn and the Soprano saxophone but it uses both Cornet and Trumpet in its standard setup, also the Eâ soprano cornet is used.

Also the only instrumental ensemble within the Salvation Army.įanfare orkest (NL and B) This orchestra is only found in the Netherlands, Belgium and Northern France. The ensemble consists of about thirty musicians, of which about eight are Bâ cornets and one is an Eâ cornet (soprano cornet) Mainly used in Great-Britain, Scandinavia and Northern-Europe. The modern day cornet is used mainly in wind ensembles and in specific symphonic repertoire that requires the more mellow sound of the cornet.Īfter about two centuries of cornet history there are a number of musical ensembles that use the cornet.īrass band This ensemble exists completely of brass instruments (except for the percussion) The cornet is the leading melodic instruments in this. As several instrument builders made improvements to both instruments, they started to look and sound more alike. In symphonic repertoire one will often find separate parts for both trumpet and cornet. For the next 100 years the trumpet and cornet coexisted in musical ensembles. The Cornet proved to be the perfect vehicle for this. He was influenced by Niccolo Paganini, the violin virtuoso, and tried to apply his technical virtuosity to brass instruments. He started studying the Cornopean but quickly changed to the Cornet. In the first half of the 19th century he studied Cornet at the Conservatoire National in Paris. The first great player was Jean Baptiste Arban. They jointly applied for a patent and were granted this for a period of ten years. These two instrument makers almost simultaneously invented the modern valves, as still used today. This instrument could not have been developed without the invention of the valves by Stölzel and Blühml. This term refers to the earliest Cornets with the Stoelzel valvesystem. The cornet is a brass instrument, derived from the post horn. It is not to be confused with the Medieval instrument, the cornett. Ray Bowes)ĭon‘t Doubt Him Now (Leonard Ballantine, arr.The cornet is a brass instrument that visually resembles the trumpet. Roger Cobb (tenor) with Stephen Hopkins (pianoforte)Ĭlose to Me (William Hastings/Andrew Blyth)ĭraw Me Nearer (Fanny Crosby/Dick Krommenhoek)ĭavid of the White Rock (Traditional, arr. Stephen Cobb (cornet) with the International Staff BandĪlways There (Brendan Graham/Rolf Lovland) John Cobb (trombone) with the Central Band of the Royal Air Force Roland Cobb (cornet) with the International Staff Band (1957) Cobb, whose leadership qualities were recognized quickly with his appointment as Bandmaster in 1913, a position he held until his retirement in 1947.Īlthough this recording does not feature Fred Cobb in any direct way, his personal and Christian qualities have been handed down through the family and have motivated subsequent generations of Cobbs into becoming outstanding musicians. Little could they know that, by advertising in the Salvation Army press for a master butcher, they would be paving the way for another family to play a unique role in the corps for over 100 years! The successful applicant was Fred H. At the beginning of the 20th Century, the Doe family were not only significant in Hendon Corps but also ran a successful butcher’s business. It is not uncommon for families to become prominent in Salvation Army corps for several generations. Roland, John, Stephen, Roger, Matthew and Philip Cobb
